See a demo of multi-color linoleum block printing techniques from beginning to end, in order to create an editorial illustration. Printing techniques are covered as well as the elimination technique which allows for several colors to be printed from a single linoleum block. Demo led by RISD Adjunct Professor Clara Lieu.

LINOLEUM PRINTMAKING SUPPLY LIST
Bench hook: https://amzn.to/2xFK2lm
Plexiglass: https://amzn.to/2xtUDRl
Akua intaglio ink: https://amzn.to/2xJuME5
Graphite stick: https://amzn.to/2xJSlg8
T-square: https://amzn.to/2QJoEEA
Plastic scraper: https://amzn.to/2xBcKVk
Linoleum cutter: https://amzn.to/2NwxBDk
Palette knife: https://amzn.to/2poERmo
Mounted linoleum block: https://amzn.to/2xxVnF9
Unmounted linoleum: https://amzn.to/2QUpOxm
Breyer, large: https://amzn.to/2xLDSAs
Breyer, small: https://amzn.to/2xGpLgH
Sharpie marker: https://amzn.to/2NzJWXw
Tracing paper: https://amzn.to/2xx7txk
Rice paper: https://amzn.to/2xqd09M
🌞EMAIL LIST
http://eepurl.com/cHjff9

🍅ART PROF REFERENCE PHOTO COLLECTION
Download high resolution reference photos for free!
https://www.flickr.com/photos/189561381@N07/albums

How to straighten an edge on a jobsite with just a table saw and a scrap of plywood.

▼ IMPORTANT DETAILS ABOUT VIDEO: ▼

• Drill press sharpening kit: https://lddy.no/1i3mb
• Drill bit gauge: https://amzn.to/3AT57x9
• Video about drill press mortising: https://youtu.be/-ZppBIHzXzU
• Video about drill press dovetails: https://youtu.be/wVd32mfJVUM

Grateful Dead - 7/18/76 - Orpheum Theatre - San Francisco, CA

-- Set 1 --
00:00 Mississippi Half-Step Uptown Toodeloo
11:42 Cassidy
17:40 Row Jimmy
27:15 Mama Tried
30:57 Scarlet Begonias
42:43 Looks Like Rain
51:46 Tennessee Jed
1:02:27 New Minglewood Blues
1:08:22 Loser
1:17:11 The Music Never Stopped
-- Set 2 --
1:24:04 Might As Well
1:30:02 Samson And Delilah
1:37:40 Candyman
1:45:42 Lazy Lightnin' ~
1:48:23 Supplication
1:54:34 Let It Grow ~
2:01:31 Drums ~
2:04:50 Let it Grow ~
2:11:40 Wharf Rat ~
2:25:01 Drums ~
2:25:32 The Other One ~
2:31:57 Saint Stephen ~
2:40:36 Not Fade Away ~
2:47:37 Saint Stephen ~
2:48:35 The Wheel ~
2:54:38 The Other One ~
2:57:55 Stella Blue
3:09:15 Sugar Magnolia
-- Encore --
3:19:28 Encore Break
3:20:13 Johnny B. Goode

Recording Info:
(KSAN) Pre-FM ~ Reel Master ~ DAT (44.1k)

Transfer Info:
DAT (Tascam DA-40) ~ Tascam DA-3000 ~ Samplitude Pro X5 Suite ~ FLAC/16(3 Discs Audio / 1 DVD FLAC)

Transfers and Mastering by Charlie Miller

Notes:
-- This is a remastered version of shnid=150187 (fixes previous issues)
-- There's a line buzz but it gets quieter and doesn't interfere with the music
-- Thanks to Joe B. Jones for checking the pitch for me

• zero clearance miter saw fence and holding stick
• grain direction - bark side - outside of the rings, toward the tip of the cathedral
• sacrificial fence clamps!

Avoid these common mistakes and make your first workbench last for years.

0:23 Overview/breakout of main issues
2:29 Problem 1: Joinery
8:56 Problem 2: Work holding
11:57 Problem 3: Sizing
It doesn't need to be too wide (30" is almost too wide), but it can be long.
14:20 Problem 4: Adaptability

This video explains how to replace the return spring on a WEN drill press. It's pretty much the same on most drill press. Pretty simple process.

#wentools #drillpress #drillpressspring

The great game of Pot Limit Omaha is arguably the most profitable poker game to play in the modern era. The average PLO player tends to be much less studied than the average No Limit Hold'em player, so you can gain a big edge by learning the fundamentals. That's what this episode of Upswing Poker Level-Up is here to teach you as high stakes PLO specialist Dylan Weisman joins Mike Brady.

Written version of this episode (audio version available wherever you get your podcasts): https://upswingpoker.com/podcast/ep19-pot-limit-omaha

In this video, we dive into Playwright's "page.goto()" and understand why it could be slowing down your end-to-end tests. We start with an example script and then walk you through the Playwright UI mode to understand how resource loading can delay the "page.goto()" call.

We also look into the different "waitUntil" configurations and check how they affect the speed of your tests. Enjoy, and drop any questions or comments below!

Blog post: https://www.checklyhq.com/blog/
"page.goto()" docs: https://playwright.dev/docs/api/class-page#page-goto
"addLocatorHandler" explained: https://www.youtube.com/watch?v=E8JLQoCDUcU

#tprc2024 #perl #readme

Your project's README stinks. Let's make it better, together!Your project's README on Github is your project's landing page, your one chance to land a solid first impression with a new user. So why are so many READMEs so boring? With minimal effort, you can make a lasting impression that win over users who might otherwise move on to another project instead.

Jason Crome will show you some techniques for making an eye-popping README for your project, using Request Tracker, Dancer, and other popular projects as models for what can be done. By the end of this short talk, you'll be able to take your project's README to the next level and set yourself apart from other open source projects.

https://github.com/matiassingers/awesome-readme

https://github.com/dec0dOS/amazing-github-template

• paint-grade hardwood
• Ask professionals where they get their wood

• Flex children are just that: display: block or display: inline don't have any affect once display: flex is defined on the parent.

• Flexbox is controlled inside --> out: The size of the children affect the size of the parent. Grid is outside --> in: the size of the parent is specified and the children fit inside.

• Defaults: flexbox by default uses the 'best' size for the children. It doesn't expand them, but it will shrink them if necessary.
  flex-shrink: 1;
  flex-grow: 0;

• If you have multiple rows and columns, and you want them consistent, grid is the better choice

• width is the same as flex-basis IF you are using columns

The first trick to playing jazz on ukulele is overcoming “jazz imposter syndrome,” the way blues and rock players often feel when they try to play jazz standards.

#adobeillustrator #graphicdesign #digitalillustration

How to draw a cotton candy from sketch to vector flat design in Adobe Illustration easily and for beginners!!

►Get the Dom Designs Colour Palette: https://www.etsy.com/ca/listing/861174287/adobe-illustrator-domdesigns-color?ga_order=most_relevant&ga_search_type=all&ga_view_type=gallery&ga_search_query=domdesigns+colour+palette+adobe+illustrator&ref=sr_gallery-1-1&organic_search_click=1

#abstractart #gelliplate #artjournal #mixedmedia #printmaking

My top 10 techniques for mark making on the gel plate. Some of these are adapted printmaking techniques.

I’ve also given a summary of costs involved for techniques which require equipment.

I hope you enjoy this introduction to printmaking techniques with the gel plate.

Kirsten 🌻

A faster youtube embed. Contribute to paulirish/lite-youtube-embed development by creating an account on GitHub.

Subscribe to Our Channel and Like Our Video!
Leah from See Jane Drill demonstrates how to hand-mix drywall mud (joint compound) to a perfect, lump-free consistency.

These wonderful little pieces are works that you (probably) have to learn to love, but which can be loved nonetheless -- and it certainly helps that Pollini plays them with intimacy and expressiveness. Though atonal, these pieces are nonetheless thinly swathed in the last vestiges of classical form and harmony: you can glimpse shades of lyrical melody, chordal accompaniments, ABA structure in the first piece, expressive appoggiaturas, pedal tones, and so on. Formally speaking there's a vast (unimaginably vast) number of things that can be said about these three pieces, standing as they are at the very threshold of full-blooded modern serial atonality, but that's not in fact that helpful if you want to just enjoy listening to these. So instead I suggest several ways of listening to these:

1. Three tableaux: a silent evening in a house soon to be demolished, a funeral, a fire swallowing a factory.
2. Five paintings: Picasso's The Blue Room, Francis Bacon's Head I / Böcklin's Isle of the Dead, Munch's The Scream / Kandinsky's Composition VII
3. Three preludes: a nocturne out of late Liszt, a Brahmsian intermezzo/lament, a piece out of Schumann's Kriesleriana.
4. Three myths: Sisyphus, Dante, Zeus and Leda.
5. Music for films from the black-and-white era. Imagine whatever you choose.

00:00 -- 1. Mässig
03:55 -- 2. Mässig
11:09 -- 3. Bewegt

Responsive designs being created today have to serve more users on more devices and with more varied abilities and preferences than ever before. And size and spacing of elements can quite literally make or break your layout. In this new world, strict pixel values are so Web 2.0. Let’s review modern CSS techniques for building future-forward flexibility into our layouts and components.