To help further this exploration, Reas and his colleague Ben Fry (a principal of Fathom, a design and software consultancy in Boston) in 2001 developed their own software, called Processing, that bridges the divide between programming and art, making both processes more intuitive.

How’s it going, compadres? This month’s roundup hand-picked from all across the web includes icons, design assets, illustrations, vector artwork, UI kits, some really cool code snippets, fonts, templates, some awesome tools, and much much more.

By developing your taste and ability to identify strengths and weaknesses in designs, you end up setting a high bar for your work.

Invisible space in the story of ‘The Purloined Letter’. Focused on the relationship between events, characters and the signifier

Nice perspective and I love the radio.

Speaking about using sharp angles and shapes, Tokyo-based illustrator Jun Takahashi uses this technique to create geometric sports characters.

Google fonts